The Royal Arts Prize 2021
Applications are now open.
Dates of exhibition:
1st July - 14th July 2021
Monday - Friday10:30am - 6:00pm
Saturday - 12:00pm - 4:00pm
Sunday - Closed
The aim of the Royal Arts Prize is to showcase the world’s best artistic talent.
Having embraced their individuality, The Royal Arts Prize allows emerging artists to reach diverse audiences and to gain an invaluable exposure of their works and
artistic style, in a central London location.
The prize is awarded to the artist who
creates the most meaningful connection and impact, using original thought and creativity to achieve this. The show has gained a prestigious reputation and will be its eighth edition.
Please email to begin your application.
2021 Shortlisted Artists
María Isabel De Lince
A Star is Born, 100 x 100 cm, Oil on Linen
María Isabel Salazar de Lince is a Colombian contemporary artist. De Lince is a passionate artist using an innovative technique in oil painting that captures emotion and awakens the senses. She modifies the observed subject by introducing a subjective element of her own, the "feeling of being there" is apparent. Each work contains a pole of stillness and a pole of violence; from both of which a remarkable aesthetic unity evolves. The only recurring motif found is a playful smuggling of unexpected blues into monochrome skies and seas. Her current artwork, with an abstract spirit combined with figurative references, features strength through colour and freedom evidenced in her paintings. This art is at its peak of accomplishment and maturity. De Lince has been invited to the National Exhibition of Fine Arts at the Carrousel du Louvre, Paris. Every year, the National Exhibition of Fine Arts presents paintings, sculptures and prints in the triangle of the Louvre Pyramid.
Moving, Social Distancing 2.42 x 52 cm, Acrylic on canvas
Elise Mendelle has created her highly relevant Social Distancing series to capture our new normal when 2 metres apart is the only way we can interact. The pieces explore the feelings of separation and isolation we are experiencing in our current times. The images work very powerfully as a contemporary commentary, with a reductive style that recognises the distance and alienation we all feel right now. They are a mark of history and a keepsake of this period in time that has changed our world.
Chan Suk On
Art Manual, 40 x 40 cm, Paper Sculpture
My artwork is“Art Manual”, I used an expired camera manual to create a new life. Does art need to be explained? I picked up the sundries in the room. Time passed, the thick camera manual was outdated, and the camera model was constantly updated. People always chase the updated model. Everything can be changed. I tried to fold different sculptural forms. The texts were about photography randomly distributed. It is a poetic process.
The Wave 2, 51 x 51 cm, Oil on Canvas
Ann Palmer paints seascapes in oil on hand prepared canvas, using a brush and palette knife, in her studio in Rochester, Kent, from her Plein air paintings from the beach in Whitstable, Kent, her sketches and photographs. She is inspired by seashores in Kent and Cornwall, standing on the pebbly beach watching the tide ebb and flow, the morning mist across the Swale, the light on the horizon, the clouds coming in from the west over London, and the light out to sea to the north and east. The low tide exposes sandbanks, pebbles, seafood for the gulls to seek.
Escape, 60 x 50 cm, Acrylic on Canvas.
Ellie Bird is a self-taught artist living in north London. Having recently left her primary school teaching career of twenty years, where teaching art was her favourite aspect, Ellie is now pursuing her painting passion full time and loving every minute! Currently working with acrylics, Ellie draws her inspiration from nature and the world around her. She is particularly interested in capturing the essence of water and the mesmerising reflections and refractions of light, colour and shape which are created by it. Water can be a form of escapism from the real world which, along with the swimmer, the observer can become immersed in. Although there is a photorealistic element to some of her paintings, the reflections of colour create a natural abstraction. In some of her most recent work, she also uses the technique of acrylic pouring, where the natural fluidity of the paint mimics those qualities in the water.
Botanica I, 91.5 x 91.5 cm, Oil on Canvas
Cari is a London based artist who creates work from a passion within and has an overwhelming desire to share her creations with the world. She has sketched & painted since a child and whilst largely self-taught it was following a foundation course at St Martin's in 2009 that Cari acknowledged that producing paintings was her life calling. Cari’s early works were predominantly figurative and having experimented with various mediums and styles, much of her current work may be described as in the style of ‘contemporary impressionism’ with collections of Seascapes, Landscapes and Cityscapes using oil paint as her favoured medium.
The B O T A N I C A collection was born from Spring 2020’s lockdown which started a 7-month process where Cari had a deep yearning to paint flowers and botanical pieces. The collection was further inspired by a sense of joy, wonder and optimism following a long, hot Summer day at Royal Botanic Gardens Kew Richmond. Each piece is a mix of brush and palette knife work which creates a rich and very physical texture. Cari says, “I became so immersed in looking at the flowers on my daily walks it was those moments that were captured in the painting process.”
Antonia Glynne Jones
Resist, 92 x 66 cm, Oil on Canvas
Antonia was born and raised in Africa and has a passionate affinity with untamed vistas whether desert or sea. She defines spaces through colour. Drawing on her emotional and physical reaction to particular times, places and events, she combines observation and personal feelings to create artworks that are filled with directness, immediacy and vibrant energy. “For me, drawing and painting is about the interaction between the discipline of observation and the spontaneity of mark-making in terms of my physical and emotional response to the subject”.
Moving Forward, 40 x 50.8 cm, Mixed Media on Canvas
Deeya’s work endures a series of transformations of intent and flow. She is captivated by the conversation between colours and the new language which emerges from the resulting animation of paint. Her exploration stems from her interest in the movement of natural phenomena and the stillness of a moment.
PATH OF FREEDOM, 125 x 130 cm, Oil on canvas
Nikhil Kirsh is a British artist who emerged in 2011 in Reykjavik, Iceland with his first solo show entitled, “TRANSGRESS, ramma fyrir ramma”. Since then, he has exhibited his subtle yet provocatively honest works through many subsequent collections. He is also known in Reykjavik for his affinity with Icelandic artists, resulting in sculptural and theatrical collaborations. More recently, since his return to the UK, he has been exploring dimensions of consciousness, from existential ‘separateness’ to deeper and more intimate expressions of unity consciousness.
This journey has marked a significant shift towards a deeper mysticism in his work. Kirsh is currently experimenting with combinations of geometric form to generate specifically intended vibrational experiences for the viewer. In alchemical terms, they function much like machines that hold in their opening forms, transformative energies. For his most recent painting, 'Path Of Freedom', he worked intuitively with three concepts: Freedom, Connection and Bliss, combined as separate portals to complete a very particular journey within.
Faith, 70 x 68 cm, mixed media
Danic Lago, a British-Brazilian artist who has lived abroad for 20 years, is a modern alchemist. A poet with a creative and inventive mind, which unites her experiences and wanderings around the world in works of art. The lightness with which Danic perceives the world made her understand that being in love with something has diverse meanings, from absolute enthusiasm to deepest pain. Her intense connection to paper makes it her most incandescent platform of transformation. The collages are the portrait of her unique view of the place that she inhabits in the world. Her connection with paper can be immediately perceived from her first piece. Without a canvas, a cardboard box was the base.
The artist today works with intricate manual collages, a mix of materials. Mixing elements such as paper, wood, watercolour, ink, acrylic, gold leaf, fabrics, dried leaves, mosses, pieces of trees and stones, her pieces reflect the world - it has a Brazilian touch, a Mexican vibe, and a European breather. Danic has the ability to transport viewers into a playful world of colours and textures with her collage. The varying interpretations of her work speak for themselves, with viewers becoming enveloped in the stories she tells. The artist explores the world and uses materials from nature, such as discarded wood. Here, her vocation as an alchemist shouts: reuse and transform. Embracing each material and thus giving them new life.
Reflections Series, 35 x 30 cm, Oil on Canvas
As the saying goes - Eyes are the windows to the soul. I’ve made the eyes the focal point of my portraits as I wanted to capture my subjects in an act of reflection and thought. I wanted to juxtapose the passiveness of their postures with the speed of thoughts flying through their minds.
My style reflects a delicacy, timelessness, and attention to detail that are influenced by my love of the great Masters of the Renaissance period. I was born in Mumbai, India. I was very fortunate to grow-up in a family where my father, a collector of classical European, Japanese and Chinese art, instilled in me an appreciation for the arts - for workmanship and for beauty.
Currently, I am immersed in painting portraits. My aim is to bring alive the beauty and character of my subjects. I want my audience to be delighted with my art and I want to create art that is timeless.
I love travelling and have lived in many parts of the world. I currently live and work in Dubai, U.A.E.
Sulky, 60 x 80 cm, Acrylic on canvas
Vanessa Hocking-Creek is a contemporary British painter. She was born in London and grew up in Surrey. She studied art at Epsom School of Art and Design and focuses predominantly on portraiture. She is married and has two children whom she features in several of her works. Most recently including them in her chronicles of the pandemic.
Each painting is an extension of her emotion in that time and dictates which direction she will follow. Although Vanessa has a subject in mind and a basic idea of what she wants to portray, no painting is planned exactly until she starts painting. Each painting evolved as it is created and as her ideas transpire. She loves painting in acrylic as well as oils, using strong, bold strokes that reflect her passion for her work.
The Waiter, 50x40 cm, Oil on canvas.
Toronto based artist who primarily works either with pastel, charcoal or oil. Specializing in figurative narrative art, Victoria renders scenes which often depict the more intimate, private moments of our lives. (You can also find her exploring different eras from the past.) Her work has been exhibited extensively internationally and is in private collections globally. You can find Victoria’s work on Instagram at @victoria.general or at